![]() ![]() Track one, "Lavender Haze," pairs a muffled club beat and high-pitched backing vocals from Antonoff with stand-out, beckoning melody from Swift. Positioning listeners situationally - in the quiet but thoughtful darkness of night - instead of thematically, feels like a natural creative experiment for a songwriter so prolific that her albums have become synonymous with the pop culture zeitgeist.Īnd with that, comes a tone that is just a little darker, a little more experimental, and always electric. Of course, she's centered her work around themes before - on "Red," an ode to the color and the emotions it stands for, "reputation," a vindictive reconfiguring of her own, and most recently on "folklore" and "evermore," quarantine albums that expressed vulnerability in ways only isolation could.īut Swift presents "Midnights" as something different: a collection of songs that don't necessarily have to go together, but fit together because she has declared them products of late night inspiration. "Midnight Rain" could be a thesis statement for the project she's described as "songs written during 13 sleepless nights," an appropriate approach to the concept album for someone who has long had a lyrical appreciation for late nights (think "Style": "midnight, you come and pick me up, no headlights."). For her 10th original album, the 32-year-old pop star approaches the themes she's grown up writing about - love, loss, childhood, fame - with a maturity that comes through in sharpened vocals and lyrics focused more on her inner-life than external persona. ![]() On the 13 tracks of "Midnights," a self-aware Swift shows off her ability to evolve again. The song's words, by Swift and Antonoff, are steady and detailed, but not distracting - allowing you to sink into the rhythm, flowing and feeling it with her. ![]()
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March 2023
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